BACK


Èvokâ (II)
Sofia Lelis

Installation
Switzerland
2026

(see full project team 
down below in the credits)





#InteractionDesign #DesignResearch
#LLM #AI #VisualSystem
EPFL+ECAL Lab
Canton & University Library of Fribourg
Swiss Data Science Center
Swiss National Library



Èvokâ is an interactive installation that invites visitors to the Cantonal and University Library of Fribourg to enter into dialogue with the archives. Through an AI-based conversational interface, a presence living within the collections gathers memories connected to the canton and, in return, reveals fragments, stories and traces of Fribourg’s heritage.



PRESS

Frapp/La Télé: Voyages entre souvenirs et archives avec Èvokâ

RTS: L’invitée du 12h30 - Sofia Lelis, co-créatrice d’Èvokâ, l’IA de la BCU Fribourg qui fait plaisir aux nostalgiques

La Télé: Èvokâ : installation IA pour faire dialoguer souvenirs et patrimoine



AN INSTALLATION TO SHARE MEMORIES
Video © EPFL+ECAL Lab / Tabs Studio




HOW TO ENGAGE SOCIETY WITH HERITAGE TODAY?

BCU Fribourg asked us to imagine a new space inside its building, one that invites visitors to explore the canton's archives and helps citizens feel connected to the collective memory these documents hold.
Photographic Archives of BCU Fribourg 



Inside a soundproof booth, a telephone invites you to pick up. On the line is Evoka, a mysterious presence living within the archives. She invites you to share a memory, and in response, the archives tied to it come to light, ready to be explored and navigated.

Photo : © EPFL+ECAL Lab / Daniela Tonatiuh


Photo : © EPFL+ECAL Lab / Daniela Tonatiuh

BEHIND ÈVOKÂ : HUMAN-CENTERED DESIGN RESEARCH

Final Report Presentation at EPFL+ECAL Lab, June 2026, Credit: Sofia Lelis 




I was in charge of researching and designing the interaction for Èvokâ. The question guiding this process was: how can digitised archives become interactive experiences that help people connect with a region's collective identity?

This project was carried out as part of my Master of Advanced Studies (MAS) in the Postgraduate Programme in Design Research at EPFL+ECAL Lab.

I explored how archives could become more personal and meaningful for each individual, using places, stories, emotions, and lived memories as starting points to create a shared sense of belonging. I also investigated how AI could help people navigate the vast archival corpus.


WHAT DOES IT MEAN TO BELONG TO A PLACE?

Using generative qualitative methods, I immersed myself in the world of the Canton of Fribourg: its landscapes, history, traditions, and the people who live it. Through a series of in-depth interviews, I explored how people relate to the canton. What emerged is that people form a deep bond with certain special places, which become part of who they are (a sense of place). To express and share this connection, they tend to tell the memories they have made in these places.


Phenomenal view of reality, unknown source 
Idan Gonzalez, Interview in Pérolles (FR), 2024, Credit: Sofia Lelis 
Phillip Weieder, Interview in Bern (BE) 2024, Credit: Sofia Lelis 
The Beaches of Agnès (2008), Agnes Varda

I visited the library to conduct on-site observations, documenting people's movements, interactions, objects, and visible emotions through drawing. By tracing how the space was used and experienced, I identified opportunities for Èvokâ to exist within it as a space for participation, reflection, and collective memory.
Natural Observations Documentation, 2024. Credit: Sofia Lelis






The experience was then conceived as a dialogue with Èvokâ, a presence emerging from the archives of Fribourg.

Visitors are invited to share a memory, and in exchange, Èvokâ reveals archival materials connected to their contribution.

The project explores the use of AI in two ways: LLM-based dialogues with users, and an AI-powered search engine, developed by the SDSC, that enables exploration of the archive database.


A TIMELESS VISUAL SYSTEM

I explored how this experience could be expressed through a visual system in which every element of the interface helps convey a journey through time, infused with a sense of nostalgia. The goal was to create a timeless experience that bridges past memories with contemporary interaction
Visual research for interface, exploring travel time, nostalgia and archives, credit: Sofia Lelis 









Some references were key to the design process, such as Community Memory, one of the earliest public computer bulletin board systems. Established in California in 1973, it allowed people to post and retrieve messages through a shared public terminal. Initially conceived as a resource-sharing network for local organisations, it quickly became an open communication space for information, art, commerce, storytelling and everyday conversation. Its community-led and unmediated approach informed my thinking about how digital archives can support participation, collective memory and a shared sense of place.
Community Memory


Credits:

EPFL+ECAL Lab

Nicolas Henchoz            Direction
Sofia Lelis            Research Assistant, Interaction Design
Lara Défayes            Project Management & Art Direction
Delphine Ribes            Engineering & Technology Manager
Gabriel Luthier            Software Engineering
Andrea Rovescalli            Software Engineering
Lison Christe            Product Design
Sebastian Baez Lugo            UX Research, UX Psychology

University of Fribourg (UNIFR)

Sharon Guardini          UX Research assistant
Alexandra Pereira Santos      UX Research assistant

Swiss Data Science Center (SDSC)

Clément Lefebvre               Senior Data Scientist
Raphaël Matusiak               Senior Data Scientist
Chiara Preti               Senior Data Scientist
Johan Berdat               Senior Machine Learning Engineer
Alessandro Nesti               Principal Data Scientist

Cantonal and University Library of Fribourg (BCUFR)

Angélique Boschung           Direction
Silvia Zehnder-Jörg           Project management
Athéna Schuwey           Communication
Davide Nerini           Curation, Iconography
Yves Cirio           Curation, film and sound
Caroline Arbellay           Curation, written archives
Loraine Molliet           Data Curation
Andreas Christe           Data Curation

Swiss National Library (BN)

Elena Balzardi           Vice-direction
Isabelle Aeschbach            Chef Public Section
Günther Giovannoni           Direction Fonoteca


Full research document including methods, findings and discussion available upon demand: [email protected]